Technology

At 175, a Brooklyn church turns to film to preserve its legacy for a new generation

NEW YORK (RNS) — On the second Sunday of August, the congregation of Berean Baptist Church in Brooklyn was dressed in white. After the opening prayer, on a series of large screens flanking the altar, appeared the first installment of a six-part short documentary series on the church’s history, “The Audacity of Faith: Freedom From Freedom To.” Archival photographs and animated images brought to life a vision of Berean’s founders, who, in 1850, built a spiritual and communal home intended for both free Black Americans and white abolitionists determined to create a sanctuary of dignity in a hostile world.

From the balcony, 27-year-old filmmaker and drummer Jahleel Hills rolled the first frame. Hills, who runs his own production company, Hype Man Hills Productions, and has directed comedy specials on Amazon Prime and live performances of up-and-coming musicians, produced “The Audacity of Faith” under the guidance of Berean’s elders.

“It didn’t feel like a gig at all,” he said. “It really just feels like I’m a part of this history. Every Sunday I walk into this church and feel that. Using my gifts for the service and for the glory of God, it’s beautiful.”

Hills is a sixth-generation member of Berean on his father’s side and fourth generation on his mother’s. His parents married in the church, and he and his three siblings grew up in its youth group and ministries, learning, under its roof, to play drums, worship and serve.

Antionette Nelson, 69, a second-generation Berean member, deacon, stalwart of the history committee and co-founder of the independent music label 1990 Records, got the idea for a docuseries to enshrine the church’s history for its 175th anniversary. For months leading up to the August 10 anniversary, Nelson and the committee had been combing through the church archives, assembling a script with church historian, and Nelson’s sister, Louise. But she knew they needed someone who could breathe motion and music into history.

“I could just hear the music in the background, see the images,” Nelson said. “I needed someone to pull it all together. So, I asked Jahleel, ‘Can you be the point person? Can you take the lead?’”